A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. It is considered to be one of the main symbols of the Russian Civil War in Western publications. Lazar Markovich Lissitzky was born in the town of Pochinok, Russia, on November 23, 1890. Monochrome photograph (silver gelatin print) of a collage of lithographic and drawn elements added to a photographic image. Even though his work was often abstract, El Lissitzky’s was addressing the political situation in Russia and the nascent Soviet Union. The Reconstruction of Architecture in the Soviet Union (1929) Old cities — New buildings The future and utopia El Lissitzky (1929). November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. El Lissitzky gilt als die treibende Kraft innerhalb des russischen Konstruktivismus. El Lissitzky zählt zu den Künstlern die mit ihrem Stil die Gestaltung ihrer Zeit prägten. Made in support of the efforts of the Bolshevik Red Army to overcome the anti-communist White Russians, the poster creates a powerful dynamic composition using basic geometric shapes in red, white, and black. is a 1919 lithographic Soviet propaganda poster by artist Lazar Markovich Lissitzky, better known as El Lissitzky. El Lissitzky was a Russian artist, designer, architect, and photographer, who was part of the avant-garde movement.. Während seiner Karriere treibt Lissitzky eine Anzahl von Projekten, Ideen und Bewegungen voran und erzielt damit große und bedeutende Auswirkung auf die zeitgenössische moderne Kunst. El Lissitzky [1] (Eliezer Markovich Lissitzky) (lyĬsyēts´kē), 1890–1941, Russian painter, designer, teacher, and architect. During the summer of 1912, Lissitzky, in his own words, "wandered through Europe", spending time in Paris and covering 1,200 kilometres (750 mi) on foot in Italy, teaching himself about fine art and sketching architecture and landscapes that interested him.

El Lissitzky was a Russian avant-garde artist and polemicist who utilized art in order to initiate various social and political changes. Suprematism at the time was conducted almost exclusively in flat, 2D forms and shapes, and El Lissitzky, with a taste for architecture and other 3D concepts, tried to expand suprematism beyond this.

El Lissitzky. His family was Jewish. See the latest news and architecture related to El Lissitzky, only on ArchDaily.

‘Proun’ was essentially El Lissitzky’s exploration of the visual language of suprematism with spatial elements, utilizing shifting axes and multiple perspectives; both uncommon ideas in suprematism.